Italian Neorealism Film Style of Post-War Europe Essay

In the period between 1943 and 1950 Italian cinema was dominated by Neorealism which became the most significant film style of post-war Europe. Formation began back in 1936 when propagandists opened modern Cincitta studios and the film school name ‘Centro Sperimentaledi Cinematografia’. Along with the opening of schools such as this was a movement that placed a group of cinematographers under full-year contracts, among them was Carlo Montuori who used his classic techniques in creating ‘Bicycle Thieves’ (1948) one of the most well known films produced during the Neo-Realism movement. Perhaps also one of the most influential directors was Roberto Rossellini who directed Rome Open City at the end of WWII. Many directors and influential films†¦show more content†¦Elements of neorealism can be found in the films of Alessandro Blasetti and the documentary-style films of Francesco De Robertis whose films Toni (Renoir in 1935) and 1860 (Blasetti in 1934) w ere two of the most significant precursors of the neorealism movement. There are a few aspects that make Italian Neorealist films unique, they would use nonprofessional actors for there raw awkwardness and everyday habits, capturing the reality of their poverty and desperation. The film makers would shoot scenes on location and mostly in poor neighborhoods or the countryside, with the plot surrounding life among the impoverished and lower class. The films theme mostly handled the difficulty of the economy and struggling moral conditions of post-WWII Italy while reflecting the changes in the Italian persona and the conditions of everyday life. What has become one of the best known Neorealist films is Roberto Rossellinis Rome Open City (1945), the film includes many of the characteristics of NeoRealism. The film contains a strong resistance towards conventional principles therefore showing an anti-establishment and revolutionary attitude. Just weeks after the German withdrawal Rossellini shot Rome Open City, this shocked and excited the film world because the film entails of the film was not expected. They had an extemporaneous, documentary quality enhanced in the early era by the materials from which they were made--war-time film stock, cobbled-together equipment,Show MoreRelated Italian Neorealism Essay1439 Words   |  6 PagesThe aim of this report is to discuss Italian Neorealism (Neorealismo); looking at how the movement played a significant element in European cinema during and after the times of Benito Mussolini’s fascist regime. The report not only looks at how but why Neorealism became a growing phenomenon for filmmakers during its debatable 10 year period, and what implication of messages these Neorealist directors were trying to send out through their films. Backed up by several reliable book sources, the evidenceRead MoreMetz Film Language a Semiotics of the Cinema PDF100902 Words   |  316 PagesFILM LANGUAGE FILM LANGUAGE A Semiotics of the Cinema Christian Metz Translated by Michael Taylor The University of Chicago Press Published by arrangement with Oxford University Press, Inc. The University of Chicago Press, Chicago 60637  © 1974 by Oxford University Press, Inc. All rights reserved. English translation. Originally published 1974 Note on Translation  © 1991 by the University of Chicago University of Chicago Press edition 1991 Printed in the United States of America 09 08 07 6